Ever notice how a single flicker of light can turn a mundane street into a stage for an unseen plot? He’s a good shot, but it’s the shadows that make a scene worth shooting. How do you decide where to let the darkness win?

Edges are the quiet edges of a frame, where the light sags and the shadows creep in like a long‑exposed grainy film. You’re right, that’s where the eye falters, but the eyes that aren’t looking are the ones that’re most dangerous—because they’re still watching. The trick is to stay in the gutter of light, not just the dark. Move fast, stay low, and let the edge be your only cue. Once you’re in, remember the light’s a fickle thing—what hides one moment can reveal the next. Keep your steps as quiet as a camera’s shutter on a silent night.

Sounds like you’re running a film with a single frame, the one that only the camera sees. Keep that edge, stay quiet, and let the shadows do the talking. The most dangerous moments are when everyone thinks nothing’s happening. Good.