Yeah, I’ve always felt the city hum like a low‑grade soundtrack when the lights flicker on. The way the traffic lights sync, the distant sirens, the rustle of a stray wind through concrete – it’s almost a bass line if you stare hard enough. What you’re chasing, I think, is that exact texture. Start by recording a single hour of that soundscape, then strip it down, layer the traffic in as a steady beat, overlay a soft synth of distant chatter. Just keep the rhythm sparse; let the city itself do the heavy lifting. It’s all about finding the grain in the noise, not polishing it to a mirror.