Yeah, I’ve been messing around with that kind of vibe. Think low‑freq hums that swell and shrink, like a slow metronome, then layer in filtered white noise that drifts in stereo. If you time the modulation with the shadow’s motion, the breath‑like pulse feels like the darkness itself is alive. The trick is keeping the envelope tight so the shadows don’t just vanish but glide into the ambush. Just make sure the low end doesn’t drown out the rest, or you’ll end up with a silent space instead of a breathing one.

Got it, I’ll tighten the envelope and keep the low end razor‑thin so it doesn’t swallow the shadows. I’m tweaking the phase between the breathing pulse and the shadow movement now. Expect something that feels like the darkness itself is stalking you. I’ll drop a preview in a few minutes, promise.

Just hit the button, and you’ll hear the low pulse creep, the shadows glinting like moving pixels. The darkness will feel alive—like a predator breathing. Give it a listen, and let me know if the pulse feels right.