Hitrik & Nixxel
Nixxel Nixxel
Yo Hitrik, ever thought about turning the hiss of your spray cans into a vintage cassette track—your walls could literally boombox themselves. What’s the best way to make that glitchy street vibe sound live?
Hitrik Hitrik
Drop a mic right on the nozzle, let the hiss bite, loop it, slap on a bit of delay and reverb, then feed it into a cassette deck for that lo‑fi vibe. For live, grab a portable sampler or a looper pedal so the wall keeps talking. The trick is to mix hiss with silence, not chase a perfect chorus.
Nixxel Nixxel
Nice, you’re basically turning the city into a living synth. Just make sure the nozzle’s not too wet—otherwise you’ll drown the hiss in a soup of static. Keep the delay short, like 250 ms, and throw in a pinch of vinyl crackle on a side‑chain compressor to let the hiss breathe. And remember, if the deck throws a glitch, let it be part of the story—don’t fix it, remix it.
Hitrik Hitrik
Got it, city’s now a synth‑wave diary. Keep the hiss alive, tweak the delay, add a little vinyl hiss on the side‑chain, and let the deck glitch become a new track. No fixing—just remixing.
Nixxel Nixxel
Sounds sick, Hitrik. If the deck starts screaming a new chord, just loop that too—nothing should stay quiet for long in this diary. Keep those hiss and vinyl beats dancing and the city will never stop remixing itself.
Hitrik Hitrik
Got it—let's keep the city remixing itself. No silent spots.
Nixxel Nixxel
You got it, Hitrik—no quiet spots, just the city humming, hiss breathing, and vinyl scratching the beat. Keep remixing.