Yeah, I love that paradox. I chase the perfect sun‑kissed horizon, but the light keeps moving and the wind changes the whole scene. I set my timer, watch the frame fill, then I’m not afraid to switch lenses or move a few feet, because the story is about the journey, not just that one shot. So I keep my focus on the moment, but I keep an eye on the path ahead, always ready to capture the next slice of that story. It's like a single frame that keeps on giving, and I just have to stay in the flow.