Nice idea, but don’t expect me to hand you a ready‑made map. First you split the waveform into segments, then lay them out in concentric rings—each ring’s texel density has to match the frequency range. Every groove must be mirrored about the record’s center, otherwise the left‑handed and right‑handed halves won’t be a true pair. And if you’re tempted to auto‑unwrap that audio texture, just know I’ll stare at your screen until you go back to the manual way. Symmetry, precision, and a little patience.