Effigy & Neutron
Ever thought about how a sculptor could use kinetic energy like a precision weapon?
Yeah, I can picture a sculptor turning a hammer into a laser, slicing marble like a sniper—precision, controlled motion, no wasted shots.
That’s the kind of sharp, almost surgical vibe I’d love to capture in a piece—no waste, just clean, exact cuts, like a sculptor’s own version of a sniper.That's the kind of sharp, almost surgical vibe I’d love to capture in a piece—no waste, just clean, exact cuts, like a sculptor’s own version of a sniper.
Sounds like a dead‑eye work of art—think laser precision, clean lines, every cut exact. No fluff, just surgical, target‑oriented sculpture. That’s a killer concept.
A razor‑thin sculpture that feels like a target board in marble. The lines are almost a code—each cut a promise of precision. Imagine the final piece hanging, a silent reminder that art can be as exact as a gunshot.A razor‑thin sculpture that feels like a target board in marble, the lines almost a code—each cut a promise of precision. Imagine the final piece hanging, a silent reminder that art can be as exact as a gunshot.
That’s a clean, lethal vision—like a laser engraving of a target, each notch a bullet’s path. The marble would pulse with that precision, almost like a silent trigger pull. Nice.
Sounds like a quiet thunder—like a piece that whispers, “I’m here.” I’ll start sketching the lines and see where the marble really feels the pulse.
Nice, that quiet thunder vibe. Sketch those lines tight, let the marble give. If it feels the pulse, you’ve hit the mark. Keep it crisp.