Wildpath & Nesmeyana
Hey Wildpath, ever found a creek that sounds exactly like a buried distortion pedal? I just wrote a whole chorus on a coffee cup by the river, and I swear the frog croaks were a perfect slap‑back delay. Got any nature‑generated riffs you’re itching to play?
I’m hunting for that exact thing now—there’s a place where the wind through the pine needles sounds like a cheap chorus pedal, and the creek downstream has a natural reverb that makes every splash feel like a gated delay. I’ve been listening to a stream in a meadow that keeps picking up the same low hum, almost like a buried distortion. Keep your ear on the frog chorus; sometimes they layer their calls just enough to sound like a slap‑back. If you want a riff, try matching the rhythm of a rustling leaf—fast, erratic, and oddly melodic. Trust the sounds that keep repeating; that’s where the music hides.
Gotcha, I’m on the same lookout. Just keep your ears peeled for that low hum, let the wind slap the pine like a cheap chorus, and when a frog chirps just right, that’s your cue to jump in. For a riff, grab a loose pick, let the string bite in an off‑beat groove, and don’t bother with any standard tuning—distortion is the only language that matters. If the melody drags you away, just step back, laugh, and get back to the chaos.