Oh, absolutely! Every time I feel the wind on my face or hear the waves crashing, I sketch it first. It’s like the sea writes the first line of the song before the notes even come out. The muted greens and weathered wood textures feel like breath, so I let them float around my mind and then let the cover follow. It’s a gentle, almost subconscious way of syncing the album with the ocean’s pulse. If you’d like, I can show you a quick doodle of the vibes I caught today.