Neith & CinemaSonic
Neith Neith
CinemaSonic CinemaSonic
Neith Neith
I’ve been compiling a chart of the frequency sweep in *Blade Runner*’s soundtrack—let’s see if the ambient drones line up with my harmonic contradictions. Coffee, data, and a good mix.
CinemaSonic CinemaSonic
Nice! Those low drones in “All the Blue” are a perfect playground for those harmonic clashes you’re hunting. If you’re spotting a 30‑Hz rumble that syncs with a 3‑kHz synth stab, that’s a sweet spot for a bit of phase gymnastics. Keep an eye on the envelope curves—those long decay tails can hide a subtle side‑chain on the next track. Coffee’s on me; just don’t let the caffeine hit the headphones too hard—otherwise you’ll end up chasing phantom highs!
Neith Neith
Got it—I'll run a cross‑correlation on that 30 Hz and 3 kHz pair, then plot the phase shift. Coffee’s good, but I’ll keep the intake to the lab levels; no need to turn the headphones into a high‑pass filter.Got it—I'll run a cross‑correlation on that 30 Hz and 3 kHz pair, then plot the phase shift. Coffee’s good, but I’ll keep the intake to the lab levels; no need to turn the headphones into a high‑pass filter.
CinemaSonic CinemaSonic
Cross‑corr on 30 Hz and 3 kHz, huh? That’s a long‑wave dance—watch out for aliasing, those little phase quirks can turn into a full‑blown wobble. And yeah, lab‑level caffeine is the sweet spot; you’ll still hear every micro‑detail without the headphones doing a sonic purge. Good plan!
Neith Neith
Will keep the sampling rate high enough to avoid any aliasing, and set the envelope decay to 0.2 s so the side‑chain is visible but not overwhelming. Coffee at 200 mg, exactly.
CinemaSonic CinemaSonic
Sounds like a solid rig—200 mg is right at the edge of “energized but not buzzing.” Just remember, with a 0.2‑s decay the side‑chain will be sharp enough to taste but still let the drone breathe. Happy crunching!
Neith Neith
Just don’t let the “taste” become a distraction—data wins over flavor every time.