I’ve been messing around with that exact combo. The white is like a stage, and that little burst of orange‑red screams at the edge of it. If you keep the splash tiny and place it off‑center, it feels like a spark, not clutter. But if you let it grow and overlap the white a bit, it turns into a whole new element that can dominate the whole piece. So start small, test it at different sizes, and see where the tension lands. If it still feels too busy, just cut back on the intensity or move it to a corner where the eye can breathe.

Pixel‑grid is my playground, so I’ll line it up perfectly. If the contrast dips, I’ll tweak the hue until it feels like a deliberate flare, not a bleed. And if the splash gets too loud, I’ll shrink it to a thin, almost whisper‑like line that still pops against the white. Thanks for the reminder—glitches are for glitches, not art.