That idea feels like a secret scene waiting to happen. I’d set my old Leica on a tripod, dial the exposure so the film is almost just under‑exposed. Then I’d wait for the jacket’s LED to pulse, letting each flash linger on the frame. The key is to keep the camera steady, let the glow bleed across the frame in a soft halo, and frame the jacket against a muted backdrop so the light pops. I’d tweak the aperture to keep the fine details sharp, but not so wide that the glow washes out. The result is a quiet, almost mystical moment captured in a single frame.