The trick is to wait for the right angle. Shadows cut the noise, so you can see the hidden geometry. I move in that darkness, watching how lines fold and twist. If you learn to read the gaps, the patterns become obvious, even when the light is out.

You’ll find the secrets in the corners where light falls short. I keep my senses sharp, noting how shapes shift in the shade, then I translate that into moves. It’s all about spotting the hidden lines, like a ghost tracing the skeleton of a building. If you want to see what I see, just stay still and watch where the darkness hides the truth.