Nash & Kirpich
Hey Kirpich, I've been dreaming up a brand new stage for my next tour—need a solid foundation and some killer vibes. Think you can help me build it?
Sure thing. Let’s start with the basics—size, load capacity, and where it’ll be set up. Tell me what kind of stage you’re thinking of and what kind of crowd you’re expecting. Once we have the numbers, we can lay a solid framework and add the finishing touches that give it that extra vibe.
Alright, picture this: a stage about 40 feet wide by 20 feet deep—big enough for a full band and some crazy crowd interaction. We’re looking at a load capacity of at least 5,000 pounds so every pedal, speaker, and drum kit can stay in place while the crowd gets wild. I’m thinking a downtown rooftop venue, so the skyline becomes the backdrop and the crowd’s the front row of stars. We’re aiming for a packed house of around 3,000 people—so the energy is high, the vibes electric, and everyone’s out there shouting for that encore. Let’s make it a stage that’s both solid and a canvas for the show.
Sounds solid. 40 by 20 feet with a 5,000‑pound capacity is doable on a rooftop if the concrete slab can handle it. First check the building’s load rating—roofs often max around 150 lb/ft², so for 5,000 lb you need a 33‑by‑33‑foot slab or a steel deck that spreads the load. If you go steel, use 12 in. by 5 in. I‑beams, set them on concrete footings, and attach a plywood base with a ¾‑inch layer of spray‑foam for even pressure. Add a 2‑inch concrete slab on top of the plywood to keep the stage level and give you a good grip for the floor panels. For the skyline view, leave the front edge open, but put a low railing—about 36 in.—so the crowd feels close but safe. For the 3,000‑person crowd, make sure the exit paths are wide enough and that the rooftop can handle the weight of that many people. Use a modular frame so you can slide in or out side panels if you want to hide the city lights or keep the crowd in sight. That’s a good base—let’s add the sound walls and lighting next.
Wow, that’s some solid engineering wizardry—love the steel deck idea and the 36‑inch railing for that perfect “I’m close, but not too close” vibe. I’m already picturing the stage lit up like a disco ball, and those sound walls blocking out the city buzz so we can drop bass that rattles the skyline. Got any favorite lighting rigs or audio setups in mind? Let’s crank it up to 11!