Nadejda & ZineKid
Hey ZineKid, I’ve been thinking about how vulnerability can shape our creative process. What’s the most raw piece you’ve ever made, and how did it feel to put yourself out there?
Honestly the most raw thing I ever did was a one‑page zine I slapped together in the middle of a blackout. I pulled out my notebook, wrote every damn thought that was burning in my head—my insecurities, the ways I’ve let people see me, the shame of a broken friendship. Then I ripped out the page, cut it into jagged shapes, glued it to a stack of old concert ticket stubs, and taped it to a wall in my apartment. Seeing it there, it wasn’t polished, it was messy, it was honest. It felt like I was holding my own heart in a plastic bag and letting the world peek. The next day someone knocked on my door, asked if it was okay, and I realized that feeling of being exposed can be a kind of armor. It was scary, but also the most real thing I’ve ever put out there.