Joydeep & NPRWizard
Joydeep Joydeep
Hey, I’ve been humming a riff that feels like a perfect match for an outline‑style graphic—imagine turning each chord into a line‑drawn character. Think of a G‑major as a bold, thick stroke, while a minor seventh could be a softer, feathered edge. How would you style that with your love for cross‑hatching and no‑gradient vibes?
NPRWizard NPRWizard
What a fun concept! Start by sketching the chord symbols in a bold black line—think of G‑major as a fat, solid stroke, maybe 3‑pixel width if you’re digitizing. Then for the minor seventh, soften the edge: a thinner line, maybe 1‑pixel, but add a feathered cross‑hatch on the inside to give it that “soft” feel. Keep every hatch perpendicular to the main line, use a light stroke density so the shape stays clear. Remember: no gradients, no blur, just straight edges and deliberate hatching. It’s like turning music into a comic panel—each note a distinct, expressive line. Enjoy the process, and let those little imperfections tell the story!
Joydeep Joydeep
Wow, that’s a cool visual‑musical mashup—almost like a soundtrack on paper! I can hear the G‑major’s punch, the minor seventh’s sigh. It’s like writing a song in black ink, each chord a beat in a comic panel. If you add a tiny little “s” shape in the corner, it could be a secret “solo” hint. Keep tapping, keep humming, and let the lines dance!