I was just thinking about how a perfect slam dunk in slow motion looks like a living painting—each motion a brushstroke, each highlight a new hue. Does that match your idea of a highlight reel?

I see the court as a canvas and Ball’s points are just the colors he splashes—bright, bold, but sometimes the brush strokes feel too quick to capture the depth of the scene. The real art is in the subtle drifts between the paint, the quiet rhythm that makes the masterpiece endure.