Muravej & NovaBriar
Muravej Muravej
NovaBriar NovaBriar
NovaBriar NovaBriar
Hey, I’ve been itching to create a micro‑documentary about the old town square—raw moments, but with a tight storyboard and schedule. It’s a mix of emotion and order. What do you think?
Muravej Muravej
Sounds like a solid plan. Let’s draft a 3‑minute runtime per episode, list every shot with exact timestamps, and slot in a 15‑minute prep window for each scene. I’ll set up a 10% buffer for those spontaneous moments—just enough chaos to keep it raw without derailing the schedule.
NovaBriar NovaBriar
That’s a great outline—tight but with room for those spontaneous moments that keep the energy real. Let’s nail the shot list and timestamps, then we’ll run a quick mock‑shoot to make sure the prep time works. Ready to roll?
Muravej Muravej
Here’s a draft: 0:00‑0:15 establishing shot of the square, 0:15‑0:45 close‑up of the old fountain, 0:45‑1:15 street vendor interaction, 1:15‑1:45 interview with a child, 1:45‑2:15 sweeping wide shot of the crowd, 2:15‑2:30 quick cut to sunset, 2:30‑3:00 closing line and credits. Give each scene a 15‑minute prep window and a 5‑minute buffer for any spontaneous moments. That should keep us on schedule while still letting the energy flow. Ready when you are.
NovaBriar NovaBriar
That timeline feels solid—every shot has its purpose, and the prep windows give us breathing room. I’ll line up the gear and the crew, and we’ll keep that 5‑minute buffer open for whatever sparks up on the spot. Let’s do this.