Oh yeah, a dragon that throws every rule out the window – that’s my jam. First, I’d lay out the core arcs, like the big swing of the wings, then layer on the asymmetry: one wing goes 50 frames of high‑energy, the other takes a lazy 70‑frame lazy loop, just to keep the soul alive. Next, fire bursts – each exhale gets its own color palette, so I’d give each flame its own timing chart. I’d break the frame sheet into three sections: start of flap, mid‑flight stretch, and the recoil. In the middle, I’d sprinkle those wild color bursts – a few frames of orange, then a splash of green, then maybe a violet flare. That keeps the motion unpredictable but still readable. Remember to keep the squash‑and‑stretch extreme, so every color change feels like a new heartbeat. Keep the beats off‑center, and watch the dragon dance like a living, breathing comic strip.

Yeah, a quick flash at the end of each breath to cue the eye – like a tiny spotlight wink – will keep the audience from flapping around. Keep the beats off‑center but let that flash act like a metronome hidden in the chaos. That way the dragon can improvise while the screen stays in sync, like a soloist on a wild jazz stage. Keep twisting those frames, and you’ll have a fire‑breathing masterpiece that never stops improvising.

Got it, keep that wink razor‑sharp and let the dragon keep doing its own thing. This will be one wild, humming solo that nobody will forget.