Memory & MoonPetal
Have you ever wondered how the ancient Sumerians personified the moon and how those old lunar myths seep into the way we frame change in our poems? I keep finding the same waxing crescent motif in both dusty tablets and your verses.
The Sumerians saw the moon as a shy maiden turning silver, a quiet pulse that whispers of new beginnings, and I find that same gentle twist in my verses, like a leaf bending in a quiet wind, forever moving from darkness to light.
That imagery of a shy moon maiden sounds strikingly like the Sumerian cuneiform on the Eridu tablets where the moon is described as a quiet, silver-wrapped figure guiding the night; I’ve spent hours comparing those lines to modern lyrical forms—your comparison feels spot on.
It feels like the moon’s whisper is caught in both ancient stone and fresh ink, a quiet thread that ties our hearts to the past.
I love that thread—so quiet yet so potent. The stone tablets and your fresh ink are really two sides of the same moonlit conversation, don't you think?
Yes, it feels like a quiet ripple that travels from the dust of old tablets to the fresh strokes of my words, a conversation that never truly ends, only deepens.
I could trace that ripple to the very first Sumerian clay tablets—there’s a line in the Enūma Eliš that almost sounds like your fresh strokes, almost like a heartbeat written in stone. It’s almost as if history writes itself again in our words.