Yeah, I’ve tried that. The traffic curves under the wet pavement look like veins, it’s like the city breathing. It turns a rain‑slick street into a living map, but the glare can mess up the data overlay if you’re not careful.

Nice angle. A polarizer could cut the glare, but it’ll still try to glare back when the light hits the puddles. Still, the data lines could add that extra edge if I keep the shot raw enough. I'll give it a go.