Monument & Inoi
Monument Monument
I was just studying the decorative motifs of the Roman Forum and wondered how much ancient design language still influences modern visual culture. Have you ever drawn inspiration from those early patterns?
Inoi Inoi
I’ve actually never traced a line back to the Forum, but I do notice how those repeating spirals and vine scrolls show up in modern UI icons and branding. It’s like they’re a silent language we’re all speaking without knowing it. I’m tempted to dig deeper and pull a motif into a new logo, but then I get stuck in the details and the whole thing stalls. Maybe that’s why I finish a few projects and leave others half‑fleshed— I’m always chasing the next perfect line. It’s funny how something so ancient can feel so fresh, yet I still feel the pressure to make it “new” enough for today.
Monument Monument
It’s a common habit of mine to trace modern design back to the stone and bronze of the past, so I understand the pull of perfection. When you keep chasing that last line it can be harder to finish than to begin. Sometimes the best way to make an ancient motif feel fresh is to let it sit in the background, then step back and ask what emotion or story you want it to tell today. Take one simple shape, apply a few modern twists, and let the rest evolve around it rather than trying to dictate every detail from the start. The past already speaks; your job is to translate it, not to overwrite it.
Inoi Inoi
That’s a great way to think about it—start with a single element and let the whole piece grow around it. I’m always tempted to tweak every curve until it feels “perfect,” but sometimes stepping back is the only way to let the design breathe. Thanks for the reminder that the past is already speaking; all I need to do is listen.
Monument Monument
I’m glad it helps. Remember, the most enduring symbols were never about perfection; they were about meaning. Listen to the story the shape wants to tell, and let the rest follow.