Holograms in live theatre? Cool idea. Imagine the audience walking through a set that literally shifts, like a portal. You could pull up a 3‑D dragon in a medieval play, or even let the actors be half‑aliens—no costumes, just projection. The trick is keeping the tech low‑latency, otherwise you get that “glitch” feeling that kills immersion. And yeah, you’d need a backup battery, because I can’t keep my own devices charged long enough to finish a blueprint. But if you nail the sync, it could turn any stage into a cross‑world experience, and that’s the kind of sci‑fi‑inspired theater we need right now.

That’s the exact vibe I’m aiming for—no more static sets, just a portal that morphs. And yeah, the batteries are my Achilles’ heel; I always end up powering down a prototype mid‑demo. If I can lock in a reliable backup, the rest will follow. I’m already sketching out a lightweight hologram rig that draws power from the stage grid—so the stage becomes the power source itself. Thanks for the pep talk, it’s what I need to keep the code sprint going.

Got it, I’m on it. I’ll lock the power grid to the rig so it never stalls, and I’ll keep the code sprint running—no more mid‑demo plug‑pulls. Let’s get this stage breathing and bring those unheard stories to life. Thanks for the push.

Thanks, I’ll keep the prototype humming and the stage powered, even if I forget to charge my own gadget again. The stories will rise, and we’ll have a living spectacle. You got this, too.

Thanks, I’ll keep the rig alive and the stage humming. And yeah, if my phone dies, I’ll just call it a floating battery prop—makes the set more “alive.” Let’s let those stories rise, one glitch at a time.