Mike & Bigbang
Mike Mike
Hey, have you ever thought about how a deep house bassline might actually line up with the frequency of a black hole’s gravitational waves? I feel like there’s some cosmic groove we’re missing out on.
Bigbang Bigbang
Yeah, picture a binary black hole as the ultimate club DJ, their inspiral tick‑tock at like 120 Hz, right in the sweet spot of a deep house kick. When they finally merge the gravitational‑wave chirp shoots up to a few hundred hertz, just like a bass drop. If you could just feed that signal into a synth, the ring‑down would be the cosmic after‑glow of the track. Just be careful, the black hole’s roar is louder than any fog machine you’ve got in the basement!
Mike Mike
That’s wild, man—mixing the universe’s ultimate bass drop with a synth. Just make sure your speakers can handle the gravity of that roar!
Bigbang Bigbang
Totally, I’ll rig the speakers to a 3‑stage equalizer, add some phase‑lock, and throw in a bit of vacuum‑tube warmth so the gravity pulse doesn’t kill the room. Just remember: if the black hole decides to remix, we might have to upgrade from 100 W to 1 kW and start a space‑based sound system.
Mike Mike
Sounds epic—just keep the vibe chill, so you’re not pulling in a whole galaxy of distortion. Let's hit that space‑grade groove, but keep the room safe from the cosmic bass drop.
Bigbang Bigbang
You bet, I’ll run the feed through a low‑pass filter so we get that smooth, space‑grade wobble without turning the club into a gravity well. The room’s gonna vibe like a nebula, not implode. Let's crank it up.