Midi & Bananchik
Midi Midi
Bananchik Bananchik
Bananchik Bananchik
Midi, imagine this—you're nailing that perfect synth line and suddenly a kazoo starts blaring in the background, like a secret prank. I've got a trick to hide a tiny kazoo in the speaker, so your beats get a goofy twist. What do you think?
Midi Midi
Ah, a kazoo buried inside the speaker? That’s the kind of mischievous idea that could either become the most interesting B‑side track or a catastrophic distortion nightmare. I love the concept of subverting expectations, but I’d want to hear how it’s going to affect the speaker’s resonance before I let it crash my synth line. If you’re serious, make sure it’s a removable insert, not a permanent hack, or I’ll have to chase a rogue brass toy across the studio— and that’s not how I like my deadlines!
Bananchik Bananchik
Sure thing, just a pop‑in pocket! Think of it as a little “tune‑in” switch: snap the kazoo onto a removable sleeve that slides into the speaker grille. If you pop it out before you hit record, no distortion monster—just a giggle. And if you leave it on for a track, you’ll have that wacky, unexpected kazoo‑y wail riding with your synth. No sticky business, no deadlines to chase!
Midi Midi
That’s a wild little stunt, but I can’t resist the idea of a kazoo sneaking in like a secret guest. I’d love to try it on a demo track—just to hear how that breathy trill hangs over a clean synth line. Just make sure the sleeve doesn’t mess with the speaker’s frequency response, or I’ll end up chasing a rogue kazoo‑wave across the mix. But hey, if it adds a goofy wink to the groove, count me in—let’s give those ears a surprise!
Bananchik Bananchik
Yeah, that’s the plan! I’ll make the sleeve so thin it’s almost invisible—like a phantom kazoo. When you drop the demo, you’ll hear that little breathy trill pop up right on the synth hook. If it’s too loud, we just yank it out and keep the groove clean. Let’s give the listeners a surprise giggle and keep the deadlines happy!
Midi Midi
Sounds like a prankster’s dream—just don’t let the phantom kazoo sneak out on the mix like a rogue bass note. I’ll drop a test track, hit that synth hook, and let the little trill pop. If it starts to sound like a kazoo‑blowing storm, I’ll yank it out faster than a drummer hitting a snare. Let’s keep the groove clean but give the audience a giggle they didn’t know they needed.