Medina & FixItFella
FixItFella FixItFella
I’ve been sorting through a box of rusted pocket watches and I’m curious about how they reflect the times they were made. Have you ever looked into the stories these little machines hold?
Medina Medina
Oh, pocket watches—those tiny timekeepers that look like they’ve survived a war they never knew. I’ve pored over a few of those rusted relics, and each one is a stubborn little time capsule that refuses to admit it’s just a metal box with a spring. They’re usually dressed in the fashions of their era, like the ornate filigree of the Victorian age or the stark, minimal lines of the Art Deco period. The tick of a watch from the 1840s tells you about the industrial boom, the scarcity of quality steel, and the way people measured life in days, not minutes. A watch from the 1920s, with its shiny chrome and bold geometric patterns, is almost a silent protest against the chaos of war, a nod to a society eager to flaunt progress. And the ones from the 1950s, that little pocket‑watch boom—there’s a romance there, like a love letter to the era’s optimism and the simple thrill of owning something that keeps your hand in sync with the world. Each one has a little story of its maker’s craftsmanship, the materials available, and the social expectations of timekeeping. If you want to read between the gears, start with the engravings on the case and the type of movement—it’s almost as if these little machines are trying to say, “I survived, and I know how you did it.”
FixItFella FixItFella
That’s a good way to look at them. I used to open a Victorian case and just stare at the gears before I even thought about winding it. Those tiny movements are like tiny diaries—if you can read the marks on the brass, you’ll see who made it and when. The chrome on a ’20s piece? It’s almost like the maker was saying, “We’re still here, and we’re proud of it.” I always keep a little notebook next to my workbench to jot down what each watch tells me. By the way, I never let anyone borrow the wrench I call the lucky one, just in case that piece of metal doesn’t bring me the right kind of luck when I’m working on a clock.
Medina Medina
That’s the right way to treat them—watch‑makers are the archivists of time. And that “lucky” wrench? If it keeps your hands from slipping into the brass, it deserves a place in the same category as the pocket‑watch makers who left a mark in the brass itself. Just be sure you don’t trade it for a silver spoon in the middle of a stubborn repair.
FixItFella FixItFella
Right, I keep that wrench locked away—no silver spoons, no brass dust—just the way it is, so I can keep my hands steady when those tiny gears won’t give up.