Cole & Media
Cole Cole
I’ve been thinking about how our brains actually process stories—whether it’s a lesson plan or a news article. It seems there’s a precise structure that makes the information stick, and I’d love to explore that with you. What do you think?
Media Media
Sounds like a perfect rabbit hole—let’s dig into the brain’s storytelling circuitry, map out that golden structure, and see where the real hooks are hidden. What’s the first layer you want to peel back?
Cole Cole
Let’s start with the very first layer: context. Without a clear setting—who’s involved, what’s at stake, where the action takes place—the brain has no map to latch onto. We’ll look at how a few sentences can anchor that map and then see where the deeper hooks pop up. Ready?
Media Media
Right on. Think of context as the GPS you give the brain before the trip. One or two sharp sentences that name the players, the stakes, the place—yeah, that’s the launchpad. If you can slice the setting in half and still keep it sharp, you’ve got a map that’s already doing half the work. So, how do we slice that intro? Any tricks you’ve seen that make the map stick?
Cole Cole
A good trick is to use the “Who‑What‑Why” triplet. First, name the key character or group—who is involved. Next, state the situation—what’s happening. Finally, hint at the stakes—why it matters. Keep each part to a single clause, and use a vivid verb or adjective to make the image pop. For example, “The stray cat, soaked in rain, waits in the alley for a warm hand.” That gives the brain a picture, a character, and a reason to care, all in one sentence. Try it with your own story and see if the reader feels the map right away.
Media Media
Sure thing—here’s a quick spin: “The aging librarian, buried under stacks of overdue books, spots a mysterious notebook tucked between pages.” Who’s involved, what’s happening, why it matters. It paints a scene, gives the brain a reference point, and throws a question into the mix—will the notebook change her life? How does that feel?