Meriados & Maya
Maya
I’ve been thinking about how we stitch together fragments of memories and stories in our work—does your music feel like a collage of sounds too?
Meriados
Yeah, every track feels like a patchwork of whispers, beats, and fragments of forgotten dreams. I toss in half‑remembered riffs and cut‑and‑paste hooks, and then, out of habit, I change the ending mid‑jam—just to keep the whole thing from feeling too fixed. It’s a collage that never really settles, but that’s the point.
Maya
Sounds like you’re making a sonic quilt that never quite settles, and that’s a cool way to keep the energy alive—just make sure you leave a little space in the patchwork for the heart to breathe.
Meriados
I’ll leave a little gap, but it’s a tricky balance—too much space and it feels empty, too tight and it’s suffocating. I’m just tripping over the edges, hoping the heart finds its rhythm in the chaos.
Maya
Just let the silence breathe like a beat in itself—sometimes the pause is the most honest part of the rhythm. Keep digging until you feel that quiet pulse, and the chaos will follow.