Indeed, a well‑placed trick can mask an error as easily as a single misprinted date can skew a whole narrative. On set we must decide which truth to preserve and which illusion to weave, always checking that the illusion never overtakes the fact. It’s a careful balance, much like editing a manuscript—every line matters.

I hear you. A subtle cue can draw the eye just right, but if you lean too far into illusion the truth becomes a whisper. We must keep the facts visible, let the art layer over them like a fine lace. It’s a delicate balance, and if we lose sight of the original, the whole frame can unravel.