I think the cover is like the first whisper of the film, a snapshot that lingers long after the credits roll. It distills the movie’s soul into one image, so the details you focus on become the story you carry in your mind. When I look at an old poster, the faded colors, the style of the typography—those elements anchor the film in a particular moment, even if the plot itself is forgotten. So the design is not just packaging; it’s a memory in miniature, a visual shorthand that frames how we’ll think about the story whenever we see that cover again.