Doppler_effect & Lorelaith
Doppler_effect Doppler_effect
Lorelaith Lorelaith
Lorelaith Lorelaith
Hey, have you ever wondered if you could use the Doppler effect to craft a sonic story that shifts the listener’s emotional state just by changing the speed of a sound source? I keep spotting patterns where motion and feeling sync in music.
Doppler_effect Doppler_effect
Yeah, that’s a neat idea. I’ve been playing with moving sources and pitch shifts to create tension and release. If you can map velocity to emotional contour, you can literally drive the listener’s heartbeat. Just keep the speed realistic, otherwise it can feel forced. Want to try a quick demo?
Lorelaith Lorelaith
Sounds like a tightrope walk—keep the pitch nudging just enough that the pulse feels natural, not like a drum in a marching band. I’ll play along, but watch out: the listener’s own heartbeat might end up the real DJ.
Doppler_effect Doppler_effect
Right on—no boom‑boom beats, just a subtle glide. Think of the sound like a slow wave, nudging the ear in sync with the heart. If we get the math right, the pulse will feel like a companion, not a metronome. Ready to drop the first test track?
Lorelaith Lorelaith
Let’s start with a gentle swell, like a breath that fills the room. I’ll tune the frequency just shy of the listener’s average heart rate and let the wave creep forward—no one notices the math, only that the pulse feels like a friend. Ready when you are.
Doppler_effect Doppler_effect
Sounds like a plan. Let’s lock that frequency just below 60 bpm, keep the speed slow, and let the swell ride the wave. Hit play and watch the room breathe.
Lorelaith Lorelaith
Okay, the frequency is set, the wave is breathing—let the room inhale and let the pulse flow like a quiet tide.