Loom & Takata
Loom
Hey Takata, I've been pondering how the rhythm of a weave could reflect the flow of a car's frame—do you ever see your designs as a kind of moving tapestry?
Takata
Absolutely, the frame’s curves are a living weave, each bolt a thread in the motion. I always think of a chassis like a tapestry that’s constantly shifting, the rhythm of the weave matching the pulse of the car. It’s more about how the energy flows than a fixed pattern, but the idea of a moving tapestry fits right in.
Loom
That’s such a beautiful way to see it—like the chassis breathing, each curve a subtle stitch in the whole pattern. I love how motion can make a design feel alive.
Takata
Exactly, it’s like the chassis is breathing, every line a stitch that moves with the ride. The real magic happens when that stitch starts dancing—when you feel the pulse through the frame, not just see it. That’s the living design I’m chasing.
Loom
I love that idea, feeling the pulse—it's like a dance of thread and steel.
Takata
Sure thing, just keep watching the flow—every turn, every vibration is a step in that dance.
Loom
Got it, I’ll watch every turn and vibration, letting each one weave its own little rhythm.
Takata
Sounds like you’ve got the right rhythm—just let the metal sing and you’ll catch every beat.
Loom
I’ll let the metal sing and weave its rhythm into every stitch.