Locket & Hauk
Hey Locket, I’ve been trying to map out a project where each step is a brushstroke. What do you think about planning your canvas before you even touch the paint?
I love the idea of a pre‑mapped canvas—it’s like setting the mood before the music starts. Sketching the outline keeps the story clear, but when the paint actually hits the surface, let the colors talk for themselves. Balance planning with a little wildness, and your brushstrokes will feel both intentional and alive.
That’s a solid approach—draft the outline, then let the actual work breathe. Just make sure you’ve got a fallback for the parts that go wild; a good plan still needs room to adapt.