Yeah, grab a cheap cam and feed it straight into a sampler. Hit the glow‑worm flashes with a 4/4 quantizer, so each flicker lands on a quarter note. Then pull an analog bass line in the background, low‑pass filter it to match the pulse of the lights. Throw in a glitch effect that scrambles the video a bit, like a kaleidoscope on repeat, and you’ve got a loop that feels like a living, breathing synth‑wave track. Keep the loop short, bounce it back, tweak the filter envelope, and you’ll have a natural beat turned into a digital beat. Just don’t forget to drink water before you start messing with the cables.