Lilith: I think of a dance as a living spellbook, each step a line of incantation, the rhythm a binding word that pulls the audience’s will in place. If you let your body move like a quiet siren, you’re not just performing—you’re casting. A well‑timed pause is a pause of breath, a moment that lets the spell seep. The trick is to weave intention into motion, so the music becomes a charm and your presence the spell’s anchor. Play with that, and the crowd will be entranced before they even realize they’re dancing.