Arden & Liferay
I was just revisiting the structure of Jane Austen’s novels and noticed how her chapters feel like neatly organized sections, almost like a well‑designed codebase. Do you think classic literature has an architecture that could be optimized, or would that take away from its charm?
Classic books are already a kind of architecture, but trying to refactor them feels like rewiring a clock that already works; the charm is in the quirks, not in the clean code. If you tweak the structure you risk breaking the rhythm, but a little clean‑up, like adding comments, can make it easier to read without losing the original intent. In short, optimize enough to keep readability, but keep the quirks that made it interesting.