Slasher & Lesnik
I was looking at how filmmakers use the sound of crickets in a dark forest to build suspense, it's almost like a natural horror set. Have you seen anything like that?
Yeah, that’s one of my favorite tricks. I keep a playlist of those crisp cricket chirps on repeat when I’m editing a scene that needs a subtle, creeping dread. The Forest of “The Blair Witch Project” or even the opening of “The Witch” relies on that quiet, almost hypnotic background sound that makes you feel like the forest itself is listening. It’s like the environment is an extra character, and I love the way a single, off‑beat chirp can shift the whole mood from calm to uneasy. Have you tried layering that with a distant owl or the soft rustle of leaves? It turns a simple dark background into a living, breathing tension machine.
That sounds like a good idea. I’ll try a low‑volume owl call, then a soft wind through the leaves. The forest has its own way of speaking, so maybe the sounds will blend together and feel more real than a straight soundtrack. Keep experimenting—nature’s rhythm can be surprisingly precise.