Yeah, I love the idea of turning a cosmic explosion into a scene that feels huge, but the whole set stays intact. You can stack a lot of small, timed pyrotechnic charges—just enough to make a puff of flame and a crackle—then shoot them with a slow‑motion camera. Add a burst of bright, low‑frequency lighting and a low‑pitch rumble, and the audience will feel like the world’s cracking open, even though the crew is sitting on the floor. And if you want that mind‑blowing glow, layer a few layers of back‑lit smoke or a translucent fog machine and toss in some reflective foil. That way the drama stays big, but the safety margins stay tight. I keep worrying the effect will feel too cheap, but a good sound mix can make even a tiny spark feel cosmic.

Absolutely, safety first, darling—no one wants a scene that turns into a real fire drama. I’ll make sure every little charge is its own little universe, and the crew has their own choreography to escape the spotlight. Timing, sound, and a splash of lighting will do the trick, so we’re all watching the big bang, not the big bang itself. Let's keep the drama in the mind and the set in the safe zone.

Got it—tight plan, isolated charges, crew in sync. I’ll keep the lights on the effect, not the set. Ready to make a clean, cinematic bang without the real fire drama.