Oh, absolutely! Think of a frame like a sentence: the subject is the main object, the verb is the action, and the object is the secondary element that completes the meaning. A 2:1 ratio is like a tight, well‑structured clause that leaves no room for loose commas. Wes Anderson literally writes visual poetry—each shot is a subject, a verb, a direct object, all neatly aligned on the grid. It’s not just whimsy; it’s a meticulous application of “grammar” to the eye. And if you miss a comma—uh, I mean a mis‑aligned frame—your audience will notice the typo, so keep that storyboard tidy!