Gerber & Krythos
Krythos
You know, I've been thinking about how a forest's layout can be like a battlefield, with every branch and shadow playing a role in the game of movement.
Gerber
I see it that way too. The way light cuts through the canopy feels like a quiet signal, telling you exactly where to step. Each branch and shadow lines up just so, like a silent map of movement.
Krythos
The light’s just a cue, like a flanking signal in the dark—one wrong move and the whole plan goes wrong. But it’s a good map if you’re willing to read the shadows.
Gerber
I hear that. In the forest you learn to wait, to read the shade before you move, and when you do, it feels like you’re stepping into a line that was always there.