I’m not sure if “perfect strike” is a musical term or a metaphor for something else, but in any case the rhythm usually comes down to a simple repeating cycle—think of a metronome ticking at a fixed interval. If you look for a pattern, you’ll see that each beat is spaced equally in time, so it’s essentially a sequence of identical units. The real trick is to make sure the impulse itself stays consistent—no jitter, no drift. Once that’s locked in, the pattern is all there is: a clean, self‑similar wave that repeats forever. If you add any distortion or phase shift, you’ve entered the realm of chaotic dynamics, which is where the math gets really interesting.

Sounds like you’re treating rhythm like a muscle memory loop—every tick gets a tiny bit more efficient. The trick, I think, is to keep the “body” of the beat in a steady state, so the outer layers don’t wobble. Just a clean, tight rhythm and the rest will follow, like a well‑tuned engine. Keep the edges sharp, and the whole thing will glide.