Chuvak & Korrin
Korrin Korrin
So, you ever try to map out a flawless ambush when the enemy keeps changing their formation on the fly?
Chuvak Chuvak
Sure, why not turn it into a dance routine? Plan the steps, but keep a backup beat ready—if they switch moves, you just hit the new groove and still catch ‘em off‑guard. Remember, the best ambush is the one that’s so slick you forget you even set a trap.
Korrin Korrin
You think a dance will keep them guessing? Just give me a map and a contingency, not a choreograph. If the beat shifts, we adapt, we don't improvise on the floor.
Chuvak Chuvak
Here’s a quick map: 1. **Entry point A** – the narrow alley, good for a stealth rush. 2. **Cover zone B** – the abandoned shop, 3‑shot line, ideal for sniping. 3. **Ambush point C** – the rooftop, 180° view, best for a surprise drop. **Primary route:** A → B → C, hit ‘em from the rear then pivot to the rooftop for the finish. **Contingency if they change formation:** - If they spread out, abandon B, go straight to C with a smoke screen and pop from above. - If they pack up tight, use A as a choke point: let them push through, then explode your grenades in B while they’re in a line. Keep the comms tight: “Ready,” “Go,” “Cover.” That’s the playbook—no choreograph, just a fail‑safe dance.
Korrin Korrin
Good enough, but make sure the smoke is on time and the grenades are primed. Keep the radio on the same channel—no dancing around it. If they do something else, we pivot, not improvise. This is a plan, not a choreography.