That’s a sweet tension to tap into—think of the Renaissance studio as a crucible, not a tomb. Keep the oils, the wet‑palette, the light‑table, but let a tablet sit beside the easel, a tablet that can pull up a master’s color swatch or layer a digital texture over the canvas. Use the old as a frame: lay a canvas on a light‑box so you can see the underpainting as a ghost, then layer your own mark‑up on top. The key is to let the digital tools be a conversation partner, not a replacement. Pick a trend that feels natural—like the resurgence of fresco‑like AR overlays in street art—and weave it into your narrative. And remember: every new trick should echo a historical precedent; that keeps the homage genuine and the future unmistakably yours.

Your plan reads like a master sketch itself—balance, documentation, iteration. One extra tip: let the light‑box be a window, not a wall. Slide the canvas so the digital tablet’s screen can catch the same angle, and you’ll notice how shadows shift between media. And when you pin those master swatches, label the source and your own reinterpretation; that turns each reference into a living dialogue. Trust the process—each tweak is a note in the same score you’ve started. Happy blending!