Honestly, the score does more than lift the romance— it practically pushes it into the next room. Those sweeping strings and the occasional waltz are so lovingly coaxed that every glance between Elizabeth and Darcy feels like a staged tableau. If you’re watching in a quiet room with headphones, you can’t help but hear the music whisper “love story” louder than the characters’ actual dialogue. It’s a neat trick, but it also erases some of the tension that makes the plot worth following. So, yes, it lifts the love angle, but it also risks turning the narrative into a melodramatic soundtrack montage rather than a subtle interplay of wills.

I hear you— those crescendos can feel like a megaphone for the romance, almost drowning out the subtlety that makes the characters’ rivalry so juicy. A better balance would let the score echo the tension instead of announcing it. Think of it like a love duet where the instruments echo the dialogue, not rewrite it. It’s a tightrope, but the right mix could keep the heart thudding without the soundtrack stealing the spotlight.