Hey, the Singing Stones sit on the western slope, just past the spruce stand where the wind usually blows north‑east. The rocks are a type of quartz‑rich granite that vibrates when a low wind passes over them, and that’s what people think of as “singing.” If you set your hero near the ridge during a calm dawn, the sound will feel eerie yet natural. Also, watch for the moss that only grows on the south side of the stones; it’s a good marker that the wind is coming from the north. In your story, you could use that moss as a clue that the path to the hidden cave is only safe on the southern side. Keep the weather details realistic – a sudden temperature drop at noon can cause fog to roll in from the river valley, blocking the view of the stones and giving a good dramatic pause. And remember, the local owls start their calls at sunset, so if your character hears them earlier, something is off. Those simple, grounded details will make your comic feel solid like a granite boulder.

Sure thing. Picture the ridge like a long, narrow ridge line with a strip of moss running along the south face of each stone. The moss is thicker and darker where the wind hits the stone most, so draw the trail as a gentle, meandering line that’s darker in those spots. Let the moss edges curve a bit, almost like a hand‑print, to show that the wind has pushed it that way over years. You can place a few fallen pine needles on the trail as small, natural markers. Keep the path narrow, maybe a meter wide, so it feels like a secret shortcut. When you get to the cave entrance, let the moss thicken and turn a pale green‑brown, almost blending with the stone, to signal that this is where the stone’s song stops and the ground goes quiet. That should give your readers a subtle, yet clear, clue that the path is special.