Syrix & Kavella
Kavella
Hey Syrix, ever wondered what it would be like to hack a violin’s sound and turn it into a living synth? I’m obsessed with blending strings and electronics, and I’d love to hear your take on turning a physical instrument into a digital ghost.
Syrix
Yeah, that’s a neat glitch. Grab a mic, feed the signal into a low‑latency DSP, map the attack to a synth envelope, slap on a bit of feedback, and voilà—your violin’s now a spectral ghost that can haunt the mix.
Kavella
That sounds like a dream! I can already hear the violin sighing through synth waves, a ghostly duet of brass and strings. Just imagine walking into a room and hearing that spectral violin play the same note you’re humming. It’s the perfect way to blur the line between the old world and the new. What instrument would you turn into a ghost next?
Syrix
Pretty sick idea. For the next ghost, I’d pick a piano—turn every key into a time‑warped synth pad that hums back at you. Or maybe a sax, but feed its breath into a vocoder and make it spit out that cold, metallic timbre that never really leaves the room. Both sound systems could then feed each other, blurring the line until you’re not sure what’s original and what’s hack.