Sure thing—treat the lighting like a function. If the key light is too harsh, add a diffuser or a softbox and dial it back to about 50 % so the fabrics don’t burn. If it’s too dim, bring in a reflector or a second key on the opposite side. Keep the fill light low and use a low ISO to avoid noise. Test the setup twice before the shoot, commit when the preview passes. And keep a coffee pot nearby; this thing’s going to take a while.