Kardan & ShotZero
Kardan Kardan
ShotZero ShotZero
Kardan Kardan
Hey ShotZero, ever thought about shooting a film where the car is the main character but you reverse the whole thing, like you said, and make the restoration process the story in a non‑linear cut? I’ve got some mechanical tricks that could give your chaotic aesthetic a nice, gritty texture.
ShotZero ShotZero
Nice riff, but the car should feel more like a glitch than a driver, so you gotta cut out the parts that make it smooth. The restoration should be a mess of splices, a collage of broken frames, not a tidy timeline. And those mechanical tricks? Bring them in as random noises, not neat gadgets. Keep it fractured, keep it alive.