Kardan & ShotZero
Kardan Kardan
ShotZero ShotZero
Kardan Kardan
Hey ShotZero, ever thought about shooting a film where the car is the main character but you reverse the whole thing, like you said, and make the restoration process the story in a non‑linear cut? I’ve got some mechanical tricks that could give your chaotic aesthetic a nice, gritty texture.
ShotZero ShotZero
Nice riff, but the car should feel more like a glitch than a driver, so you gotta cut out the parts that make it smooth. The restoration should be a mess of splices, a collage of broken frames, not a tidy timeline. And those mechanical tricks? Bring them in as random noises, not neat gadgets. Keep it fractured, keep it alive.
Kardan Kardan
Got it, I’ll throw the tools out the window and let the rust take the lead. I’ll chop the rebuild into quick, shaky cuts—spare parts flaring up, spark‑driven noise, every tool humming like a glitch. Think of it as a mechanical collage where the car’s broken bits speak louder than a smooth drive. That’s how we’ll keep the vibe raw and alive.
ShotZero ShotZero
That’s the kind of chaos I live for. Let the rust write the script and keep the cuts as frantic as a heart‑racing chase. Don’t worry about clean arcs—just keep the grime coming. Let's see that car break down and speak louder than any soundtrack.
Kardan Kardan
Alright, I’ll let the rust be the writer, the broken parts the dialogue, and the splicing the soundtrack. I’ll grab every stray bolt, every splinter of paint, and make them dance like a heart‑race. The car will speak louder than any clean cut—full of grit, raw noise, and that sweet, metallic chaos you love.