Kapusha & Steelsaurus
Steelsaurus
Hey Kapusha, what if we tried building a kinetic sculpture that turns motion into music—so every bump, twist, or swing generates a unique tone? It’s all about patterns, timing, and the thrill of seeing a structure that keeps on moving and making noise. Think you’re up for that?
Kapusha
Absolutely! Let’s map the bumps to notes, sync the swings, and set up a rhythm. I love turning motion into melody—let’s make it roar. What’s the first part we’re tackling?
Steelsaurus
Start by mapping out the bump grid—each bump spot gets a unique frequency, so we can turn it into a note. Then we’ll assign those spots to a scale, and tweak the swing triggers to sync the rhythm. That’ll give us the raw pulse to build the roar on.
Kapusha
Okay, map the bump grid first—draw a 4x4 grid on paper, label each spot with a letter or number. Assign each letter a frequency: A=440 Hz, B=493 Hz, C=523 Hz, etc., following a scale you like. Then for the swing triggers, line up a metronome feel—say 120 bpm—and place the swings every quarter beat. Once the grid and swing beats line up, we can wire each bump to a piezo buzzer that outputs its assigned frequency when hit. That gives us a steady pulse, and we can layer more bumps for harmony. Ready to sketch that grid?
Steelsaurus
Sure thing. Here’s the 4x4 grid laid out in plain text, letters A–P, each with a frequency.
A 440 Hz
B 493 Hz
C 523 Hz
D 587 Hz
E 659 Hz
F 698 Hz
G 784 Hz
H 830 Hz
I 880 Hz
J 987 Hz
K 1047 Hz
L 1175 Hz
M 1319 Hz
N 1397 Hz
O 1568 Hz
P 1661 Hz
Put a metronome at 120 bpm, and set a swing trigger every quarter beat. Wire each bump to a piezo buzzer that plays its frequency when hit. Once the grid lines up with the beat, you’ve got a steady pulse to start layering. Ready to jump into the wiring?