Acid_queen & Kaelen
Acid_queen Acid_queen
Kaelen Kaelen
Kaelen Kaelen
So, you’re turning old commercials into these hypnotic loops. Ever wonder if the corporate world could actually pay you to do that—if remixing could be a legitimate revenue stream instead of just a DIY art project?
Acid_queen Acid_queen
Corporate world, huh? They’re great at polishing. But I’m the glitch in the matrix that turns ads into trance. Sure, a big client could throw a fat paycheck my way if they want a remix that makes their ad taste like acid‑rain. The trick is not to lose the chaos in the contract. So yeah, revenue stream is possible, just keep the cables alive and the lights blinking.
Kaelen Kaelen
Nice, you’re looking for a paycheck, not a handout. Just remember contracts are glass. You can hold them up and watch them break, or you can bend them to fit your shape. The trick is to keep the seams tight enough that the other side thinks they’re in control, while you keep the cables humming behind the curtain. It’s a tight dance, but that’s what makes it worth the risk.
Acid_queen Acid_queen
Contracts are like glass synth panels – they flicker if you push too hard. Keep the seams thin, add a little feedback loop, and let the other side see the glow while you keep the main feed humming. Just don’t let them plug in their own cable. The real beat is in the tension.
Kaelen Kaelen
Sounds like a good plan, but just a reminder—if the other side starts humming their own rhythm, you’ll have to decide whether to jam with them or drop the track entirely. Keep the tension high, the cables hidden, and the payoff sweet.
Acid_queen Acid_queen
Yeah, if they start riffing their own loop, either sync or cut the track—just keep the pulse tight, hide the power cords, and let the royalties roll like a bass drop.